watch the videos
Write one paragraph discussing
what was your impression of the movie.
What was surprising?
Which person was most engaging and interesting for you? Why?
What did you learn?
video1:
https://www.dropbox.com/scl/fi/fsu2rtmot02r1q8oomrda/IMG_0066-3.MOV?rlkey=wa66zurx7ozo3qld371mmafah&dl=0
video2:https://www.dropbox.com/scl/fi/kgevvabn54af7iqtqoj2h/IMG_0066-4.MOV?rlkey=tmmqlgnlvmi3r894oiukdo787&dl=0
video3:https://www.dropbox.com/scl/fi/hn8ypz3s4zhdirmf9gv3g/IMG_0068-2.MOV?rlkey=nwahm71gfa0cjz5yb7gff8bm3&dl=0
Category: Performing Arts
Create a multimedia “exhibition” of 5 art works by Native artists or associated
Create a multimedia “exhibition” of 5 art works by Native artists or associated with an indigenous group; of your chosen objects, 2 must be historic and 3 should contemporary art works. Your exhibition can be created in Powerpoint, Prezi, or GoogleSlides. Please ensure that you allow everyone to view when creating a link to share.
Each slide of your presentation should include photographs of the works you are “exhibiting”, and for each object there should be a label. Your labels should:
Identify the art work – remember this should be in italics.
Identify the Indigenous culture of the artist or that created the object
Point out any particular parts of the works that the viewer should pay attention to and explain why they matter.
Remember keep your label short. 3-5 sentences
To help you decide on works to include in your exhibition, below is a list of museums whose collections include objects belonging to an Indigenous culture or art works by Native artists.
https://hoodmuseum.dartmouth.edu/explore/collection/native-america
https://www.ahtahthiki.com/collections/
https://americanindian.si.edu/
https://www.denverartmuseum.org/en/collection/indigenous-arts-north-america
https://art.seattleartmuseum.org/collections;jsessionid=3E2F414CFC560CE0FC851ED105E6232E
I wrote the introduction already; please use the outline provided to write the p
I wrote the introduction already; please use the outline provided to write the paper. If you could please use more air sign sources, that would be awesome. I will provide all the sources I have used thus far for the paper itself. Please use other interviews from Megan Thee Stallion, Kanye West, Andre 3000, Bell Hooks, Lewis Carroll, Bob Marley, Audre Lorde, Mitch, Albom, Octavia Spencer,Ta-Nehisi Coates, Rupi Kaur. This is a persuasive essay on,”why air sign artists are misunderstood.”
Comments from Customer
Discipline: persuasive essay
Evaluate how the 2022 paintings of Christine Melosa Basquiat, We Fight and Guns
Evaluate how the 2022 paintings of Christine Melosa Basquiat, We Fight and Guns and Moses include themes located in The Narrative of Frederick Douglass, Harriet Tubman The Moses of Her People, and the “Introduction” in Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American.
Lastly, offer a brief comment about the effectiveness of art, images and representations in their ability to engender change.
Note: You must draw on all five sources. These include:
1. Frederick Douglass’ Narrative
2. Harriet Tubman’s Narrative
3. Intro to Picturing Fredrick Douglass
4. Paintings: (1) We Fight and (2) Guns and Moses.
Sources & Contextual Information
• “We Fight” (Frederick Douglass) and Guns and Moses (Harriet Tubman) can be found on Christine Melosa
Basquat’s webpage (scroll down) “We Fight” & “Guns and Moses”
• For contextual background information on Christine Melosa Basquiat – (cousin to famous artist Jean Michelle Basquiat) see CMB Website. Who is Christine Melosa Basquiat?
• For contextual background information on Jean-Michel Basquiat – see handout reading
• “Introduction” in Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most
Photographed American
Evaluate how the 2022 paintings of Christine Melosa Basquiat, We Fight and Guns
Evaluate how the 2022 paintings of Christine Melosa Basquiat, We Fight and Guns and Moses include themes located in The Narrative of Frederick Douglass, Harriet Tubman The Moses of Her People, and the “Introduction” in Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American.
Lastly, offer a brief comment about the effectiveness of art, images and representations in their ability to engender change.
Note: You must draw on all five sources. These include:
1. Frederick Douglass’ Narrative
2. Harriet Tubman’s Narrative
3. Intro to Picturing Fredrick Douglass
4. Paintings: (1) We Fight and (2) Guns and Moses.
Sources & Contextual Information
• “We Fight” (Frederick Douglass) and Guns and Moses (Harriet Tubman) can be found on Christine Melosa
Basquat’s webpage (scroll down) “We Fight” & “Guns and Moses”
• For contextual background information on Christine Melosa Basquiat – (cousin to famous artist Jean Michelle Basquiat) see CMB Website. Who is Christine Melosa Basquiat?
• For contextual background information on Jean-Michel Basquiat – see handout reading
• “Introduction” in Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most
Photographed American
Essays should aim to be between 600 and 900 words in length. You can type this o
Essays should aim to be between 600 and 900 words in length.
You can type this on whatever program you prefer as you compose it, but make sure to upload it to the Blackboard portal.
Essays must include:
-Discussion about 3 keyworks we discussed in class from weeks 10, 11 or 12. Please identify these works at the top of your text. You may label them 1, 2, 3, and then refer to them that way in the essay to save time.
-Substantive reference to and discussion of readings (essays by Schmitter, Carabell, Travers-Newton), with specific reference to ideas from those texts that support or further illustrate your points. Don’t forget to include this material in your quizzes–quizzes without this material cannot earn a full “A.”
Prompt: The frescoes we have examined over the past weeks are, generally, ones ordered by a family or individual and for a private or semi-private space. Who then is the audience for these works? What kinds of messages or symbolism do these image cycles present the eventual visitor or viewer with? Are there any commonplaces or similarities (i.e. trends) that occur across the various cycles? How are the works linked specifically to their site (or the site’s function/purpose)? Extra credit for integrating Prof. Areford’s lecture into your response–how it plays into, or challenges, the topic (even into the contemporary era) and art).
You can choose sculptures, paintings, or architecture to illustrate your points.
Essay 2: For this essay assignment, I want you to take the Knowledge Styles Diag
Essay 2:
For this essay assignment, I want you to take the Knowledge Styles Diagnostic Inventory on pages 34 and 35 of your textbook, then go to exercise 3.3 on page 49 which contains the table for tabulating your responses on the knowledge styles diagnostic inventory. After you have completed this, write a one or more page essay in MLA format that discusses your results, addressing the following:
1. The name and definition of the three knowledge styles.
2. If you agree with these results or not. Explain why you feel this way.
3. If you feel you need to improve, elaborate on some strategies you could use.
4. Could you use any of the knowledge you gained last week on multiple intelligences to improve your knowledge style?
5. Be creative in your responses, and don’t be ashamed of your results. Most people don’t like the results of this battery but it can be a real eye opener.
NOTE: At a minimum you should cite your textbook in your essay and list it in MLA format on the works cited page.
Grading Criteria
Content (the accuracy of what you say in the essay and how much you say) 80%
Format (must be in MLA format to include having a works cited page) 10%
Grammar (spelling, punctuation, word usage, sentence structure, etc.) 10%
See the attached rubric for this assignment for more specific information on the grading criteria.
Resources
Textbook: Becoming a Strategic Thinker: Developing Skills for Success by W. James Potter.
Knowledge Style Diagnostic Inventory (KSDI) found on pages 49 – 50 of your textbook.
Discussion board 3:
The Discussion Assignment
For this week’s discussion board we will focus on the skill of analysis. First, in your own 100 words, explain why analysis is the most basic or fundamental skill of strategic thinking. Then, find a work of art online and save it to your post either as an attachment or by pasting it directly into your post. Let me know if you do not know how to do this. Next I want you to do a component analysis, an outline analysis, and a focal plane analysis of the artwork. I also want you to explain what you think the artwork is about (what is it trying to say) or what is important about it using your focal plane analysis.
Here are some instructions on how to do this, or see my post for an example. Analysis-With-Art-revised-January2018.pdf. It is the attached file.
Comments from Customer
Discipline: Critical Thinking
please revise floorplans and DO NOT ACCEPT THIS ASSIGNMENT IF YOU HAVE NO EXPERI
please revise floorplans and DO NOT ACCEPT THIS ASSIGNMENT IF YOU HAVE NO EXPERIENCE IN EXCEL, WORD OR FLOORPLANS.
For this assignment, you are required to write a five-page analysis of a scene o
For this assignment, you are required to write a five-page analysis of a scene of your choosing from any movie we watched this quarter. The goal of this project is to build and strengthen your analytical skills and synthesize the language of cinematic expression we have covered in class to this point. A large portion of studying film revolves around our ability to analyze storytelling techniques through the language of filmmaking. This project will give you an excellent opportunity to showcase these skills while giving you a platform to express your particular cinematic sensibilities. In your paper, you should include an opening thesis statement as an introduction. In this, you should bring forth the scene you have chosen for analysis and your argument corresponding to your choice. In other words, what do you hope to say in your analysis? The body of your paper should be a close reading of the particular scene. Here you should briefly describe the essential details of the scene. What happens in the scene? From there you should break down the ideas behind the scene utilizing the cinematic language from our lectures. For example, how do the filmmakers utilize sound, cinematography, editing, and mise-en-scene to achieve their storytelling goals? Ultimately, you should craft a paper that illustrates the ideas behind a scene from this amazing film. You should do some outside research on the film as well. Dive deeper into the story behind the film’s creation. It will undoubtedly assist you. A word of advice: BE SPECIFIC. The more detailed and precise your analysis, the better. Your grade will largely be determined by the coherence and clarity of your understanding of the cinematic language we have discussed in the course. Refer to your lecture notes for inspiration. Including any such references will strengthen your grade. The more support you provide, the stronger your grade will be. If you do not utilize the textbook with MLA formatted citations, you will be marked down. Your paper should be 5 pages in length before your works cited page, double-spaced and in 12-point Times New Roman font.
I already have a proposal for this paper; it does not have a clear main idea. an
I already have a proposal for this paper; it does not have a clear main idea. and i want writer to edit after reading the proposal that professor’s comments.
The one I uploaded the other one have references, and I want the writer to rewrite.
This assignment has two parts: an abstract and an initial bibliogrpahy
Write an approximately 200-word abstract (initial proposal/summary) discussing your initial idea for a photography exhibition or research project on photography. You could investigate a particular photographer, a particular theme, images depicting the same location/ type of event from different historical moments, or some other pressing issue or element of photography. Alternately, you might think about curating an imaginary exhibition. Projects considering archival materials–especially those at UMB are encouraged.
It is OK–even expected–for your project to change.
The abstract/proposal should include the elements below:
1) The research topic you plan to investigate (mention some works you will discuss)
2) an initial thesis that you hope to prove in the paper/ project/ with the exhibition
3) some initial thoughts or findings on the topic
4) a brief summary of possible questions you will address in the final paper/ project/ exhibition
5) a title (that is specific, not generic)
6) how your topic relates to prior scholarship/ exhibitions on the topic you have found or broader trends in scholarship
Include three possible sources for your bibliography as well (cite Chicago style; see https://owl.english.purdue.edu/owl/resource/717/01/). These should be journal articles, long-form journalism articles, art criticism, interviews with artists, ebooks, books, or museum content. Make sure you can access the resources.