Raphael’s portrait of Pope Julius II

Review the video we watched this week about Raphael’s portrait of Pope Julius II. Compose a one paragraph description of the ways that Raphael uses elements of this portrait to criticize and comment on the political role of this important pope. Then, create an artwork in any medium that shows a contemporary political figure . This should be your own original artwork: don’t just attach photos or images you find online!
Following Raphael’s example, include elements within your artwork that comment on the specific ideas or social role of the politician you chose. Then, write at least three additional sentences explaining what you’ve made.

Struggling with where to start this assignment? Follow this guide to tackle your assignment easily!

This assignment combines art critique with creative expression. You’ll analyze Raphael’s portrait of Pope Julius II and use the inspiration to create your own artwork featuring a contemporary political figure. Here’s a step-by-step guide to help you approach this project:


Step 1: Analyze Raphael’s Portrait

In the video you watched, focus on the subtle elements Raphael used to portray Pope Julius II. Pay attention to:

  • Expressions and Posture: How does the pope’s expression or body language convey power, vulnerability, or humanity? Does it suggest commentary on his role as both a religious and political leader?
  • Color and Symbolism: Note how Raphael used colors (e.g., the rich reds and greens) and other visual elements to depict the wealth and authority of the pope, while also humanizing him.
  • Setting and Objects: Are there objects or background details in the portrait that subtly criticize or highlight the pope’s political power?

Write a concise paragraph describing how these elements comment on the political role of Pope Julius II. For example:

Raphael’s portrait of Pope Julius II critiques the duality of his role as a spiritual leader and a political figure. The pope’s slouched posture and reflective expression contrast with the rich textiles and symbols of wealth, suggesting a man burdened by the responsibilities and corruption of political power. The muted background and lack of traditional papal grandeur subtly comment on his controversial legacy, emphasizing the tension between spiritual humility and worldly ambition.


Step 2: Create Your Own Artwork

Choose a contemporary political figure who interests or inspires you. Follow Raphael’s example by:

  1. Thinking about the figure’s social role (e.g., leader, activist, public servant).
  2. Including symbolic elements that comment on their actions, ideas, or controversies.
  3. Considering emotional tone: Use colors, posture, and background details to critique or highlight their influence.

For example:

  • If you’re drawing or painting, you could depict the figure surrounded by objects that symbolize their policies or leadership style.
  • If you’re using photography, try a staged or edited image with layered symbols.

Step 3: Write About Your Artwork

After creating your piece, write at least three sentences explaining it. Include:

  1. The political figure you chose and why.
  2. The symbolic elements you included and what they represent.
  3. How these elements critique or comment on the figure’s role.

Example:

I chose to depict Greta Thunberg for her role in climate activism. In my drawing, I placed her in a barren landscape, with a globe in her hands that is half lush and half burning to symbolize the urgent need for environmental action. The colors I used—green for hope and red for warning—highlight the contrast between progress and destruction, emphasizing the responsibility humanity holds for our planet’s future.


Step 4: Polish and Submit

  • Ensure your paragraph about Raphael’s portrait is clear and ties directly to your analysis of his techniques.
  • Review your artwork and explanation for clarity and alignment with the assignment instructions.
  • Submit both your analysis and your artwork, ensuring your creative work is original.

Final Tip:

Be thoughtful about the connections between your artistic choices and the message you want to convey. Subtle details can be just as powerful as bold statements in communicating your ideas.

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The paper should have a thesis that summarizes your main findings. The thesis fo

The paper should have a thesis that summarizes your main findings. The thesis for this paper should state where the focal point is in this painting and why. Things to consider: What is the subject of the artwork? Is there a focal point? If so, explain where it is and what formal elements led you to this conclusion. Composition: How are the parts of the work arranged? Is the work symmetrical? Balanced? Line: What kinds of lines are used (verticals, horizontals, diagonals)? Point out some important implied lines and explain what they point to. Space: What type of space is created in the work? Is the space deep or shallow (can you see far in the distance or not)? How is depth portrayed? Is perspective used? If yes, where is the vanishing point? Light and Shadow: Are shadows visible? Where? Where might the main light source be? Color: What type of colors are used in the work? Bright? Dull? Complementary? Does the artist use colors to draw your attention to specific areas of the work? How? How does color guide your gaze across the painting? Conclusion: summarize your main points. First take notes on answering these questions. Then organize your answers into an argument. All your writing should work to support your thesis. The argument should explain what the focal point is and how the artist organized the composition to make viewers look at a certain main point in the work, and then look around it. The paper should be in MLA format. You will be graded based on the quality of your writing, and the understanding of the main issues addressed in the readings. Papers with weak argumentation, poor structure, sloppy editing, imprecise or incorrect word choice, spelling errors, or grammatical mistakes will be downgraded. Write a draft and revise it critically. Use the Writing Center (https://www.tmcc.edu/tutoring/writing-center/informationLinks to an external site.), or send me a draft (except last minute). Doing so will get you 1 extra credit point, as long as you incorporate the feedback into your paper. This is not a research paper. Use at least one source (such as one of this class’s PowerPoint lectures or the internet article indicated above), and cite it. DO NOT DO OUTSIDE RESEARCH. If you are quoting something word by word use quotation marks “ ”. Limit word-by-word quotes to a maximum of 3 short quotes per paper. Use your own words as much as possible. If you are putting the ideas from a source in your own words, you MUST STILL USE IN-TEXT CITATIONS. Here is an essential guide to quoting, paraphrasing, and summarizing: https://owl.purdue.edu/owl/research_and_citation/using_research/quoting_paraphrasing_and_summarizing/index.html . Here is detailed information on how to paraphrase without plagiarizing: https://owl.purdue.edu/owl/research_and_citation/using_research/quoting_paraphrasing_and_summarizing/paraphrasing.html Include in-text citations. Here is info on using in-text citations: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_in_text_citations_the_basics.html Basically, at the end of a sentence, or a group of sentences with information from a source, you must use parentheses in the text with the title of that source. If you err, err on the side of caution, and include in-text citations even when not sure you need them. You need to include a list of works cited at the end of the paper. Here’s a guide on how to post your sources in the list of works cited at the end: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_page_basic_format.html How to format electronic sources: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_electronic_sources.html How to format books: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_page_books.html How to format other kinds of sources: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_other_common_sources.html Here is a sample MLA format paper: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_sample_paper.html DO NOT DO OUTSIDE RESEARCH. DO NOT USE AI TO GENERATE IDEAS OR TO DO THE WRITING FOR YOU. DO NOT USE GRAMMARLY AI. USING AI WILL CAUSE YOU TO GET A 0 FOR THIS ASSIGNMENT. IF YOU USE AI MORE THAN 4 TIMES, YOU WILL GET AN F FOR THE ENTIRE CLASS. Late papers will be accepted until January 18. Failure to hand in a paper will result in a 0 for the paper.

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Video Lecture Reading – Mesopotamia.pdf Outside Video – Please watch the first

Video Lecture
Reading – Mesopotamia.pdf
Outside Video – Please watch the first ten minutes of the video above on the Epic of Gilgamesh.
Section1
Artwork gives us many insights into the way that ancient Sumerians viewed the world. Start with Sumerian votive figures (these are discussed in your reading for the week). What purpose did these figures serve? Use specific visual details to support your answer. What do these figures suggest about the relationship between humans and their gods?
Next turn your attention to the Standard of Ur, one of the great masterpieces of ancient Sumerian art. Based on your observations, what sort of image does the Standard of Ur construct of ideal kingship? How does the standard of Ur represent the king? What must a good king do? What obligations does a king owe to his people? Use specific visual evidence!
The Epic of Gilgamesh is the story of a king who does not serve his people well and displeases the gods. How does this notion reinforce the relationship between humans and the gods suggested by the votive figures? What happens to Gilgamesh as a result of his bad practices? Name the piece of art described in the lecture that reflects imagery from the Epic of Gilgamesh? Using what you know about the Epic of Gilgamesh, describe one example from your own experience of how the Gilgamesh story resonates in later literature or contemporary popular culture.
Section 2
What purpose did these [votive] figures serve? Use specific details to support your answer. What relationship do these figures suggest about the relationship between humans and their gods? DO NOT WRITE NEW MATERIAL–THIS SHOULD BE COPIED AND PASTED DIRECTLY FROM SECTION 1.

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Group Discussion Discussion Project: Deriving Meaning. Your Post due Wednesday,

Group Discussion Discussion Project: Deriving Meaning. Your Post due Wednesday, Replies to classmates are due Sunday
Posts due on Wednesday by 11:59PM, 4 Replies to Classmates are Due Sunday by 11:59PM
Assignment Goals:
In your readings from Chapters 1-4, you learned about the “nuts and bolts of art.” Chapter 3 described the different art media (what it’s made out of of) and art methods (how it’s made). In Chapter 4 you learned about how to derive meaning from an artwork. Let’s take some of this new knowledge and apply to your personal life experience in the field.
Instructions:
For this discussion, let’s evaluate what you learned from reading Chapters 1-4. Find (2) “Local” Artworks that you really really like and use the tools covered in the class so far to interpret the artwork. Don’t know where to find art in your life? See the prompt below for more detailed instructions.
Post Guidelines:
All the chapter readings so far have addressed what defines a work of art, the formal elements it an artwork’s specific design, the principles of the artwork’s composition, what and how the artwork was made (its media), and finally how we can derive meaning from a work of art. All of the chapters are interrelated to each other. For example, a work of art’s subject matter can relate to how it’s made ( as seen in 4.2 Tlaloc Vessel. 1440-1469.) Sometimes the way we experience or encounter a work of art adds to its meaning as is the case with 4.9 Olifar Eliasson’s very public The New York City Waterfalls, 2008. Other times the iconography of a work of art can let us know what it means as seen in the case of the 3.31 Arabic Graffiti, from Egypt, that in reads “Revolution is in our veins,” 2012.
But sometimes the meaning of an artwork is unclear without the proper context; as would be the case with 2.4 Paul Klee, Bounds of the Intellect, 1927. The visual iconography doesn’t necessarily tell us very much. The title is kind of hint in the right direction, but what the work “means” is still pretty unclear. This is where research comes into play. After typing the artist’s name, artwork title, and its date into Google I was able to discover that this painting was created while Paul Klee was instructor at the Bauhaus–A German Art School. Paul Klee was the son of a musicologist and he drew parallels between sound and art. The obsessively repetitive lines in in the lower part of Klees’s composition act as a visual representation of sound.
OK, It’s Time to Experience Some Art and Derive its Meaning.
Where to look:If you know of a public work of art that you have seen, on your normal daily commute, that you would like to discuss, feel free to choose this option. Art is everywhere; murals, sculptures, statues, urban art, it is all fine.
No Art nearby? No worries; many local museums have lists of their permanent collections of art. Here are a few locals:San Diego Museum of ArtLinks to an external site.
Museum of Contemporary Museum of ArtLinks to an external site.
Oceanside Museum of ArtLinks to an external site.
But don’t just limit your expectations of where art can be found to formal settings, like a gallery or museum. The links below are to places that art exists that aren’t in traditional museum spaces.Writerz BlokLinks to an external site.
Stuart Collection UCSDLinks to an external site.
Local Muralist: Hugo CrosthwaiteLinks to an external site.
The most important aspect of the art selections you make this week is choosing something you find fascinating. Art is all around you. Just remember to take a deep breath, and try to start to see the things around you in a new way.
How to Analyze Each Artwork:Your formal analysis, of the art you find, will rely on everything we’ve learned about so far in the class to help contextualize a work of art:
Chapter 1 covered how to define works of art in relation to what it is, its relationship to visual culture, and the artist who created it.
Chapter 2 examined how to identify the formal elements, principals of composition, and structural systems (when applicable) of an artwork.
Chapter 3 explored the different media from which artworks are made.
Chapter 4 explored the ways in which we can derive the meaning of a work of art.
Independent research; you will need to be able further your understanding and validate your initial attraction to each artwork through a little digging. Internet research is fine; there a a ton of great resources out there to help you derive the meaning of your choices this week. (BTW subreddits are not good places to find reliable information about art).
We’re going to borrow from the textbook and use this set of questions below to guide your analysis as it relates to CONTEXT.
Who is the artist?
What/How was the art made?
What is the title?
Does the title relate tot he content?
Part 1: Images of the Artworks:
Find 2 artworks you feel inspired by or surprised by after looking at the resources above. Provide an image of each artwork. Embed the image into the body of your post.
Wondering how to embed images? Watch this video:

Part 2: Written Analysis:
Your analysis of the work of art you find should be evaluated in an essay format. Remember you are trying to dig a little deeper than what is on the surface to further your understanding of the artworks you chose.
Choose two Local Artworks from the resource list above or find one on your own. Be considerate of the arts location….If it’s in a public space, the artwork is “site specific,” it has a relationship to the place that it is installed. How does your selected artwork, and how the artwork appears, related to the location where it is?
Include as much of the following information about the image in your essay:
Artist’s name (if you have it)
Title of work, date, size, medium, and subject matter (use some Chapter 3 terms)
Location of the art (city, neighborhood)
First glance (What caught your eye?)
How are the elements applied in the work? (use some Chapter 2 terms)
How does the overall composition relate a meaning and/or function to you? (use some Chapter 1 terms)
What is around the work (next to, behind, above, nearby, etc.)?
Your internet research. What did you learn about the artwork and the artist who made it?
What is your personal interpretation (this is required if other methods of research were lacking)? Did the research you did enhance the meaning? How do you feel about it (before and after the research)? (use some Chapter 4 terms)
Grammar:
The use of correct grammar is expected for all written material in this class; however I think that is essential that you write in a style that is conversational and that suits your personal voice. I fully support making sure that what you are writing sound like yourself. Just try to spend the time to be clear about the ideas you are trying to express. Make sure to include enough information to get your points across. I realize we live in a world of texts, emojis, and tweets and they are totally fine in other areas of your life, but in a college classroom, they just usually don’t provide enough information to fully explore ideas; so a little extra effort is a good idea. Here are some Guide to Group Discussion Posting and Replies
Peer Reply(s):
You must Reply to a minimum of (4 )of your classmates per week.
Peer Feedback Goals:
Make sure to respectfully comment on others’ choices while replying. Keep in mind that your personal reactions, to art, differ from other’s because reactions are subjective and based on your life experience; often we need more than one set of eyes to see the big picture.
In the “Reply” window to a peer’s contribution provide feedback on what they have submitted for the current week.
Reply Format
Deep Dives: You must meaningfully reply in detail, I call these “deep dives,” to two separate peers artwork (s). Use the following points when replying in a “deep dive:” These can be about 100-150 words each.
Complement: add to (something) in a way that enhances or improves upon what your peer(s) have contributed.
Connection: a relationship in which an idea is linked or associated with something else. Tell your peers how what they have shared is associated with an idea that comes from your own personal experience. How does it relate to your life and experience in this class?
Comment: a written remark expressing an opinion or reaction. This can be positive or negative, as long as your comments are respectful and empathetic to your peer’s writing.
Quotation: quotation(s) taken from a textbook or some other source are one of the best ways to validate a comment and solidify a connection. (You must always include citations) This just means that you are supporting your ideas with other facts from reliable sources.
You must to reply, in brief, to at least two other peer’s artworks. These “scratch the surface” comments can take the form of a simple sentence.
These can take the form of a superficial compliment, connection, or comment.
Group Discussion Assignment Grading and Assessment
Parameters
In order to earn full credit you must submit a total of 5 times per discussion assignment.(1) Personal Post that includes a properly embedded image of your current project(s)
(2) “Deep Dive” comments addressed to individual classmate’s projects.
(2) “Scratch the Surface” comments addressed to other classmate’s projects.
Grading

Please select the “more” icon in the upper right hand corner of this page to show the grading rubric for this assignment. If accessing this course by using the Canvas Student App, you will not see the icon. Instead, please use the menu to locate the rubric.
Deadlines
Initial post (your written project essay) is due by WEDNESDAY at 11:59 PM Pacific Time
Response postings should be completed no later than SATURDAY at 11:59 PM Pacific Time
Tips for Success:The key to a good discussion is interaction. Therefore, it is expected that you will log in and participate in the discussions on a minimum of two separate days per unit, but logging in more is encouraged.
Interaction is the key to a productive and meaningful discussion between you, your peers, and your instructor, so your goal and approach should be meaningful interaction rather than meeting minimum point requirements.
Please make sure that you are scrolling down and reading through all the submissions before replying. If you only reply to the top first two or three student’s posts that means they are getting a lot of feedback while other students are not getting any. Once a student has more than three replies, associated to the original post, move on and find someone else to reply to.
Please note that posting all, or the majority, of your replies on the last day of the discussion after 9:00 PM will be considered for point deduction since this greatly decreases the interaction and impact of your posts.
Grading Breakdown
This is a Group Discussion for the whole class. Participation in Class Discussions accounts for 30% of your overall grade in the class.
Your Post, which includes an embedded in progress image and self assessment is worth 50% of the possible points for this Discussion Assignment. (1 Post = 50% of grade)
The (2) “Deep Dive” peer responses combined with the (2) “Scratch the Surface” peer responses are worth 50% of the possible points for this Discussion Assignment. (4 Replies = 50% of grade)
FORMAL ANALYSIS [The table bellow describes terminology we have covered so far in the textbook reading(s)]

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INFORMATION fully identifying the two works you are writing about – artist, titl

INFORMATION fully identifying the two works you are writing about – artist, title, date, medium, size, and location. I know that there may not be a location for a contemporary work, but provide as much information as you can. • COMPARISON ESSAY on the topic of Art Then/Art Now • PHOTOS. Submit photographs of both of your works. You can either embed them in your essay, or submit them as separate files For your comparison, write a 3-page essay comparing and contrasting your two objects. Your essay should include the following: • A paragraph about each of your artists (basic biographical information, written in your own words) • A description of each work of art. Think of the choices each artist is making, and how those impact the viewer. Consider composition, color, light, perspective, texture, etc. • A discussion of process. Tell me about the medium of each work, and how the manner in which each work is created is similar or different. • An analysis of subject and meaning. Are these artists saying something similar or different about the common theme they have addressed? *attached are some examples. do not use*

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Graphic Design Research paper: Visual Change in the History of Graphic Design Pu

Graphic Design Research paper: Visual Change in the History of Graphic Design
Purpose of assignment: The purpose of this assignment is to write about graphic design in
theory, history, and visual communication; to use design terminology and to create a well-argued
5 page finalized research paper which expresses understanding.
Students will choose from one of the prompt areas:
• Graphic designer from a marginalized group with a body of work created before 1990.
• Digital technologies and aesthetics in graphic design, 1984 to the present…
• Universal signs, symbols e.g. disability, travel, architecture
• Artistic changes to 20th c graphical art forms as countercultural gesture.
• Sustainable practices in package design
• Graphics as sculpture, works of art by graphic designers.
Note: your topic can touch on, but differ from these, but must include some component of
transformation or change present in the graphic work.
Req. 1. Abstract with topic sentence framing the context for the paper – due Oct 9.
Req. 2. Presentation of paper The paper should use Chicago Manual of Style, either
(author/date) or (notes/bibliography) system for all sources. Include one or more quotation or
block quote, properly cited and referenced. List or bibliography at end with peer-reviewed
sources only. Pagination, 1” margins,12’ font, title page are required. Student name, date, course,
my last name per page. Double-space, proofread, spell check the text. Note: Ai tools – the tool
must appear as a source in the list or bibliography. (CSU policy on Ai)
Req. 3. Images Include captioned image/s for all designs and add as a last page or pages (can be
a 6th page etc) Reference within the text as (fig. 1, fig. 2, fig. 3).
Req. 4. Content Introduce the paper with a thesis about the topic and what you want to achieve.
Example: This essay is an investigation of Futurist typography as a 20th c attack on classical
page designs of previous centuries. Give detailed description of any designs shown in the
discussion. Explain the work or the designer/s and talk about how it demonstrates change.
Compare and contrast to another work.
Tip: If discussing design start with the formal elements and how they relate to meaning. What
did the Futurists do with type to change meaning?
Req. 4. – Structure Page 0 – title page
Page 1 – introduction to artworks, connection (general information and thesis)
Page 2 – design/er in historical context/theoretical framework
Page 3 – description of artworks and analysis using form, content; meaning.
Page 4 – development of analysis to include ‘contrasting’ designs.
Page 5 – completion of analysis, conclusion.
Bibliography/reference list
Grading will be based on the strengths of the visual analysis, completion of requirements 1 – 4,
and attention to writing style, sentence structure, proofreading

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Use the images and files attached to create a business plan project that aligns

Use the images and files attached to create a business plan project that aligns with instructions and directions. Make sure to see all attached files. WHAT IS A BUSINESS PLAN? A business plan is an essential planning and tracking tool. Some entrepreneurs believe that their business is too small to need a business plan. However, “businesses that fail to plan, plan to fail.” A business plan will help you start your business, make day-to-day operating decisions, get financing and to keep yourself and your business on track. Without a business plan, you will waste time, energy and money. You may also lose sight of your objectives and goals. There are many samples of business plans available from the library or websites listed on the last page of this syllabus. We will be focusing on the main components of a business plan for this project and they are as follows: Executive Summary- This is a broad overview of the business plan which emphasizes the major goals of the organization. It will summarize the company objectives, identify products and services, explain the competitive advantage, review the market, forecast revenue, expenses and profitability and the financing needs of the business. Business Profile- This will describe the long-range objectives of the organization, what it does, who its customers are and its position in the market. It will describe the business operation and its major areas of expertise. Organization Structure- This will provide details of the business ownership, management functions and key personnel. Market Study- This describes who your customer is, identifies the competition, explains pricing strategy and any barriers to your business. Financial Information- Information obtained during your marketstudy will assist you in developing an opening balance sheet and cash flow forecast for one year. A Sample Menu- must fit the concept with prices that will be completive in the Reno restaurant market. WRITTEN PORTION: It cannot be done the last night. This is a semester long project and you will have to devote a few hours each week to your business plan. We will be working on the different components of your plan as the semester goes on. In Chapter 5 (Week #4) of the text we will begin discussing the overall look and feel or your business plan.

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1.Brief: -Design a small interior space (a reading room, ) that showcases tecton

1.Brief:
-Design a small interior space (a reading room, ) that showcases tectonic principles. The goal is to design a space where the construction is visible, and the materials are used honestly and creatively.
2.Focus Areas:
-Material Selection: Choose two or three primary materials (e.g., steel, wood, concrete, glass) and use them in ways that celebrate their natural qualities.
-Visible Structure: Design the space so that the structural elements (e.g., beams, supports) are visible and become part of the aesthetic.
-Joints and Connections: Pay special attention to how materials meet. Use exposed joints or connections as part of the design language.
3.Deliverables:
-Sketch or Diagram: Students should sketch the layout and detail the material choices and how the structure is expressed.
-Material Board: Prepare a small material board that shows the chosen materials, their textures, and how they interact within the space.
5- drawing show elevation and measurement
4 .Presentation: Each student will present their design to the class, explaining their material choices, the structural elements they highlighted, and how their design embodies tectonic principles.

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Make an original work of art based on a theme, object or practice we’ve discusse

Make an original work of art based on a theme, object or practice we’ve discussed in class.
Identify something we’ve talked about from class and then make a new version of it that makes sense for you and your life. This way YOU become the artist.
For this midterm, you will make an original work of art based on an object or concept from class. Find something we learned about in class, research it and then make a new version of it that makes sense for you and your life. This way YOU become the artist. Your work of art can reflect YOU, but it should be clear that you are drawing from an idea in class. There are no limits to what this can look like.
The creative assignment is an opportunity to reflect what you have learned so far and continue to learn through your own process. This assignment is worth 100 points. Please submit an image/video of your artwork with your name where I can see it AND your 300 word reflection.
In addition to making something creative, you will need to submit a written reflection for your project:
Your response should be at least 300 words and expand on your outline
Even though this essay is short, you need to use complete sentences (no bullet points) and format the paper as an essay
Identify what your process was like, and how it may have differed from your original plan
What your project means to you now/ what you learned
Looking at your creative project, what do you think about the artist you were inspired by? What questions do you have for them?
i think you can figure out what the class is like if you look at the syllabus. i think you have to physically draw something.

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I need help with drawing the view looking down on it ,I mean from the top – see

I need help with drawing the view looking down on it ,I mean from the top
– see the image attached to draw it top of it by using
-draw the view looking down on it ,I mean from the top
– width 16” inches
-thickens 3”
-9 pleces of woods
– 7 spaces
– color the wood places
– down explean your drawing with afew senteces

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