write it using my plan and include references from the plan using footnotes of M

write it using my plan and include references from the plan using footnotes of MHRA style. Please include a bibliography too.
The essay should include at least 8 readings. This is a history of art essay so you have to use visual analyses, it is crucial.
Introduction (150-200 words)
Introduce Michelangelo’s “The Last Judgment,” highlighting its place in art history and the controversy over the depiction of nude figures. Briefly mention the key themes of the essay: the representation of nudity, the human body, and their theological implications, setting the stage for a deeper analysis.
First Argument: Theological and Philosophical Significance of Nudity (300-350 words)
Main Point: Using Agamben’s “Nudity” from “Nudities,” argue that Michelangelo’s use of nudity in “The Last Judgment” serves as a profound exploration of the human condition in relation to divine judgment, embodying Agamben’s distinction between nakedness and nudity.
Visual Analysis: Discuss Michelangelo’s technique of portraying the human body in various poses and states, emphasizing the expressive quality of the figures that convey vulnerability, repentance, and awe. Highlight how the use of light and shadow accentuates the muscular and dynamic forms, aligning with Agamben’s concepts.
Counter-Argument: The Objectification and Idealization of the Body (300-350 words)
Main Point: Drawing on Bohde’s “Skin and the Search for the Interior” and Fleming’s “The Renaissance Tattoo,” present a critique suggesting that Michelangelo’s idealized nude forms may contribute to the objectification of the body, potentially overshadowing their intended theological significance.
Visual Analysis: Examine specific figures within the fresco that exemplify idealized beauty and strength, questioning whether these idealizations distance viewers from the depicted spiritual narratives by focusing on physical perfection.
Evaluation and Judgment: Balancing Ideals with Human Experience (300-350 words)
Main Point: Evaluate the arguments by considering Greenstein’s “The Body of Eve in Andrea Pisano’s Creation Relief,” which offers insight into the evolving representation of the human form and its theological implications. Assess how Michelangelo’s depiction of the nude balances between conveying theological narratives and reflecting Renaissance humanist ideals.
Visual Analysis: Analyze the diversity of expressions and postures among the figures, from the damned to the saved, and how these contribute to a nuanced portrayal of human experiences and emotions. Discuss how the detailed rendering of skin, muscle, and expression in Michelangelo’s work supports a complex interpretation of nudity that transcends mere physicality.
Conclusion (150-200 words)
Summarize the key points made in the essay, reaffirming the significance of Michelangelo’s “The Last Judgment” as a masterpiece that provocatively explores nudity, divinity, and the human condition. Conclude by reflecting on the fresco’s lasting impact on the discourse around art, theology, and the portrayal of the human body, emphasizing how it continues to inspire debate and admiration.
This structure ensures a balanced examination of “The Last Judgment,” grounded in visual analysis and supported by the theoretical frameworks provided by the required readings. The essay will critically engage with the complexities of nudity in art, offering a well-rounded perspective on Michelangelo’s fresco and its place within the wider cultural and theological discussions.
For concise, accessible academic essays and articles that can support your arguments on nudity, the human body, and Michelangelo’s “The Last Judgment,” focusing on sources that are likely easier to access and within a maximum of 15 pages:
“Michelangelo’s Last Judgment: The Culmination of Papal Propaganda” by Marcia B. Hall
Source: Art Bulletin, Vol. 58, No. 3 (Sep., 1976), pp. 367-381.
Summary: Hall’s article delves into the political and religious context surrounding “The Last Judgment,” particularly focusing on its role in Counter-Reformation propaganda. This article provides insight into how Michelangelo’s work might be interpreted within the broader theological debates of the time.
Use in Essay: This can support discussions on the theological implications of nudity in the fresco, offering a historical perspective that enriches the analysis of its visual elements and thematic depth.
“Caravaggio and the Role of Classical Models in Michelangelo’s ‘Last Judgment'” by Lorenzo Pericolo
Source: Renaissance Quarterly, Vol. 65, No. 2 (Summer 2012), pp. 375-422 (Note: This article is slightly longer, but sections of it can be particularly relevant and within a shorter reading span.)
Summary: Pericolo explores how Caravaggio’s later works were influenced by Michelangelo, with a specific focus on the use of classical models for depicting the human body. Although it extends the discussion to Caravaggio, it offers valuable insights into Renaissance techniques for portraying nudity.
Use in Essay: Useful for a nuanced understanding of how Michelangelo’s depiction of the body and nudity draws from classical antiquity, contributing to the Renaissance discourse on beauty and humanism.
“Nudity as a Costume in Classical Art” by Larissa Bonfante
Source: American Journal of Archaeology, Vol. 93, No. 4 (Oct., 1989), pp. 543-570.
Summary: Bonfante examines how nudity functioned symbolically in classical art, serving various roles from heroic nudity to divine representation. While focusing on classical art, it provides a foundational understanding of nudity’s symbolic meanings that influenced Renaissance artists like Michelangelo.
Use in Essay: This article can contextualize Michelangelo’s use of nudity, linking it to classical traditions and exploring how these symbolic meanings are transformed in a Christian context.
“The Body, the Divine, and the Question of Visibility in the Italian Renaissance” by Robert W. Gaston
Source: Art History, Vol. 31, No. 3 (June 2008), pp. 358-375.
Summary: Gaston discusses the Renaissance struggle with the visibility of the divine through the human form, particularly in the context of the theological debates of the period. This essay examines how artists grappled with representing the unseen and the spiritual through the physicality of the body.
Use in Essay: Offers a direct engagement with themes of nudity and divinity, providing a theoretical backdrop to Michelangelo’s depiction of sacred figures in “The Last Judgment,” and how these representations reflect or challenge contemporary views on visibility, embodiment, and the sacred.