18th-century critic Dr. Samuel Johnson, who first employed the term “metaphysical poets,” wrote that, in the poetry of the Metaphysicals, “the most heterogeneous ideas are yoked by violence together.” 20th-century poet T.S. Eliot disagreed, writing in his essay, “The Metaphysical Poets,” that those poets “united thought and feeling,” and “fel[t] their thought as immediately as the odour of a rose.” Discuss the validity of these opposing views, citing specific poems by John Donne and Andrew Marvell. (You may use any Marvell poem in Norton; you’re not limited to “To His Coy Mistress.”)
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