Arthur Miller’s play, Death of a Salesman, explores the tragic downfall of the protagonist, Willy Loman, as he grapples with his fading success and unrealized dreams. Throughout the play, Willy often retreats into daydreams, seeking refuge from the harsh realities of his life. These daydreams, however, serve as a double-edged sword – providing momentary solace but ultimately contributing to his downfall.
Willy’s daydreams primarily manifest as memories from the past, particularly when his children were younger and his career prospects seemed promising. He constantly yearns for the idealized versions of his past, in which he was well-liked and successful. For example, he reminisces about his younger days,
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