The Research paper is part two of the coursework, I have written part one which

The Research paper is part two of the coursework, I have written part one which is the “Proposal” and I have attached it, and based on the written Proposal the research paper should write.
I have attached an example for one of my colleagues “Example. Impact of influencers on consumer purchase in UAE”
and I have also attached a brief description of the topic and the format of the paper.

I would like to do for me a proposal Research, find a paper on language and Medi

I would like to do for me a proposal Research, find a paper on language and Media topics and do research.  Please follow these things and be sure to do it when do the proposal: 1. Introduction. Give some background to your paper topic. Literature review. Include any relevant research in the area (in the papers you have read) and motivate the academic interest in your research. Give a hypothesis based on what you know based on your studies. Methods. What is your data? Where did you take it from? How much of there is it (i.e. how many examples in total)? Why was this data chosen? How does it relate to your hypothesis? How did you analyze the data? What did you look for, what did you NOT include and why?

THE ESSAY IS IN ARABIC تقرير أو صحيفة تفكر (10 درجة) – فردي عدد الكلمات: 600-800

THE ESSAY IS IN ARABIC
تقرير أو صحيفة تفكر (10 درجة) – فردي
عدد الكلمات: 600-800
نوع وحجم الخط: Simplified Arabic, 14
موعد التسليم: 11 نوفمبر
وتهدف هذه الأداة إلى التحقق من مدى قدرتك على التفكير العلمي والنقدي من خلال والتحليل والتفسير والمقارنة وتقييم الحجج والاستنتاج، يمكنك اختيار موضوع بإعداد صحيفة تفكر (reflection paper) حوله، أو تقرير تحليلي حول قضية إعلامية في المجتمع، ومن ذلك:
إجراء مقابلة واحدة على الأقل مع أحد الإعلاميين أو العاملين في العلاقات العامة أو الجمهور العام تدور حول التحقق من موضوع معين من موضوعات المقرر، واستكشاف أبعاده في البيئة المحلية. التقرير يجب أن يتضمن مجمل الخبرة البحثية مثل صياغة السؤال البحثي، واختيار الشخصية الإعلامية، وصعوبات التواصل معها، ونتائج المقابلة والجديد الذي يمكن أن تضيفه إلى محتوى المقرر.
متابعة وسائل الإعلام التقليدية وشبكات التواصل الاجتماعي بحثا عن أدلة تثبت أو تنفي أو تثري ما يتم تناوله من موضوعات وقضايا في المقرر، فالتنميط، والدعاية والأخبار الزائفة والرأي العام وغيرها موضوعات حية تعيشها وتتفاعل معها وعليك إيجاد الصلة بين ما يطرحه المقرر وما يكشف عنه الواقع والمقارنة، عليك تقديم تقرير مختصر يعكس مجمل الخبرة البحثية لا مجرد نتائجها.
اختيار محور من المحاور المتعلقة بمحتوى المقرر ويعرض في ضوئها قضية تستدعي البحث والتقصي والتحليل وبالتالي الوصول إلى حلول، وفي هذا تطبيق استراتيجية التعليم القائم على حل المشكلات. قضايا مثل: التنمر، التطبيع، الإسلاموفوبيا، الانتماء الوطني، الإيجابية.. إلخ

Objectives: Based on your chosen creative content, research an appropriate liter

Objectives:
Based on your chosen creative content, research an appropriate literary, songwriting, film sales or media agent (or, in the case of games, a developer).
Write an effective query or pitch letter to the agent.  In the letter, solicit your creative content in an effort to secure a traditional publishing deal with the agent’s assistance.
This week, you will study why an agent is needed for a traditional publishing deal, how to find an appropriate agent, how to write an effective query letter, and what terms are industry standard for agent and publishing contracts.
As you conduct your research and planning, consider the following:
What type of creative content do you have?
Why should you avoid looking for talent and booking agents when soliciting creative content for publishing deals?
What is the most appropriate type of agent for your particular content?
Where might you find agent directories or listings?
Instructions:
1. Under the traditional publishing model, agents shop creative content to publishing houses, production companies, and labels. Assume the role of writer (author, composer, screenplay writer, etc.) or manager of creative talent. Determine what type of real or hypothetical creative content you or your client intends to solicit (book, music, TV, film, or game). In the letter, identify your creative content and your role as creator or manager.
2. Using industry sources, locate an appropriate agent to shop your work. Consider sources such as The Writer’s Guide to the Marketplace, orThe Songwriter’s Guide to the Market; trade journals and publications such as The Hollywood Reporter, Billboard Magazine, Publisher’s Weekly, etc.; websites such as the Writer’s Guild of America, The Songwriter’s Guild of America, The Screenwriter’s Guild, etc. As always, be sure to provide citations for each of your sources. REMEMBER: You are NOT looking for a talent or booking agent, because you are not trying to get a performing gig. Rather, you are trying to shop creative content for a publishing deal, and talent/booking agents will rarely provide this service. You must look for a very specific type of agent—literary, songwriting, media, film sales, or developer—who specializes in shopping creative content for publishing deals. Please do not select the William Morris Agency, CAA Talent Agency, or other similar companies that specialize in talent and booking deals. Also, unless a company specifically says that it will accept unsolicited material, please do not attempt to shop the content directly to a publisher, production company, or record label.
3. Draft a standard query letter to the agent. Use a traditional business (block paragraph) letter format: single-spaced, left-justified, with a double-space in between paragraphs.(Please see the Query Letter Example.) Discuss the project and your credentials in a brief, engaging manner. The letter should not be longer than one page. Do not use a memo or email format for this assignment.
4. At the bottom of the letter or on a separate page, list the citations for all sources used to locate the agent, including applicable website URL addresses. For this assignment you will use the Full Sail University library to access EBSCOhost, Lexis-Nexis, trade journals or other available library resources to conduct research.
Deliverable:
A complete, one-page query letter using traditional business format, with sources/ citations included.

Objectives: Based on your chosen creative content, research an appropriate liter

Objectives:
Based on your chosen creative content, research an appropriate literary, songwriting, film sales or media agent (or, in the case of games, a developer).
Write an effective query or pitch letter to the agent.  In the letter, solicit your creative content in an effort to secure a traditional publishing deal with the agent’s assistance.
This week, you will study why an agent is needed for a traditional publishing deal, how to find an appropriate agent, how to write an effective query letter, and what terms are industry standard for agent and publishing contracts.
As you conduct your research and planning, consider the following:
What type of creative content do you have?
Why should you avoid looking for talent and booking agents when soliciting creative content for publishing deals?
What is the most appropriate type of agent for your particular content?
Where might you find agent directories or listings?
Instructions:
1. Under the traditional publishing model, agents shop creative content to publishing houses, production companies, and labels. Assume the role of writer (author, composer, screenplay writer, etc.) or manager of creative talent. Determine what type of real or hypothetical creative content you or your client intends to solicit (book, music, TV, film, or game). In the letter, identify your creative content and your role as creator or manager.
2. Using industry sources, locate an appropriate agent to shop your work. Consider sources such as The Writer’s Guide to the Marketplace, orThe Songwriter’s Guide to the Market; trade journals and publications such as The Hollywood Reporter, Billboard Magazine, Publisher’s Weekly, etc.; websites such as the Writer’s Guild of America, The Songwriter’s Guild of America, The Screenwriter’s Guild, etc. As always, be sure to provide citations for each of your sources. REMEMBER: You are NOT looking for a talent or booking agent, because you are not trying to get a performing gig. Rather, you are trying to shop creative content for a publishing deal, and talent/booking agents will rarely provide this service. You must look for a very specific type of agent—literary, songwriting, media, film sales, or developer—who specializes in shopping creative content for publishing deals. Please do not select the William Morris Agency, CAA Talent Agency, or other similar companies that specialize in talent and booking deals. Also, unless a company specifically says that it will accept unsolicited material, please do not attempt to shop the content directly to a publisher, production company, or record label.
3. Draft a standard query letter to the agent. Use a traditional business (block paragraph) letter format: single-spaced, left-justified, with a double-space in between paragraphs.(Please see the Query Letter Example.) Discuss the project and your credentials in a brief, engaging manner. The letter should not be longer than one page. Do not use a memo or email format for this assignment.
4. At the bottom of the letter or on a separate page, list the citations for all sources used to locate the agent, including applicable website URL addresses. For this assignment you will use the Full Sail University library to access EBSCOhost, Lexis-Nexis, trade journals or other available library resources to conduct research.
Deliverable:
A complete, one-page query letter using traditional business format, with sources/ citations included.

Essay question: Is unethical conduct an inevitable and unavoidable consequence o

Essay question: Is unethical conduct an inevitable and unavoidable consequence of the commercial pursuit of profit and audiences? Discuss this question, teasing out the commercial versus ethical issues, and elaborate on your response through the use of current media examples in one area of media practice.
The essay should demonstrate engagement with the unit content, the set readings and texts, as well as show evidence of wider scholarly research. Essays must follow proper scholarly formatting and referencing in order to avoid penalties. See the MECO Style Guide for students for further detail on academic referencing. This course is ostensibly based on Australian debates and references/examples should be made to current Australian media. Laws, codes, regulations and guidelines should be primarily Australian. Of course, what has happened in other jurisdictions (cases, legislation, reform recommendations), may also be important as a comparison. A good example will illuminate the concerns and provide depth. Serial examples should not be used to replace a coherent argument. Recent media examples (published in the last 12 months) should be used in a way that substantially enhances & illustrates your argument. All references, material and examples must be originally in English (translations by students are not accepted). All references using actual quotes, paraphrase, or specific arguments, should employ page numbers.
The essays will be assessed primarily according to response to the question; engagement with course concepts, clarity of expression; structure and strength of argument; use of academic and media texts to support your argument; use of course materials as well as independent research/reading.  In addition, the following will be taken into account:
•    Evidence of understanding of the chosen topic.  Clearly identifies relevant ethical, legal issues. Clearly identifies, applies appropriate ethical/legal frameworks.
•    Engagement with relevant course material, resources and concepts
•    Wider research and reading to support logical argument, appropriate use of relevant, credible media and academic texts.
•    Use of relevant, current media example(s) to illustrate analysis.
•    Originality of thought and approach beyond summarizing the material.
•    Presentation, clarity of expression; appropriate level of academic writing referencing & academic standards; adheres to word limit, pagination, formatting requirements; demonstrates appropriate language and literacy; proof read for spelling & grammar; compliance

Directions Please provide a short answer for each one of the questions below. Us

Directions
Please provide a short answer for each one of the questions below. Using the text box provided copy the question into the response field, then based on your readings and evidence from the text provide a response to questions 1-10
Review Questions
The Development of Sound Recording
1. Why did Emile Berliner’s flat disk replace the wax cylinder, and why did this reconfiguration of records matter in the history of mass media?
2. How did the music industry attempt to curb illegal downloading and file-sharing?
3. How did sound recording survive the advent of radio?
U.S. Popular Music and the Formation of Rock
4. How did rock and roll significantly influence two mass media industries?
5. Although many rock-and-roll lyrics from the 1950s are tame by today’s standards, this new musical development represented a threat to many parents and adults at the time. Why?
6. What moral and cultural boundaries were blurred by rock and roll in the 1950s?
7. Why did cover music figure so prominently in the development of rock and roll and the record industry in the 1950s?
A Changing Industry: Reformations in Popular Music
8. Explain the British invasion. What was its impact on the recording industry?
9. What were the major influences of folk music on the recording industry?
10. Why did punk rock and hip-hop emerge as significant musical forms in the late 1970s and 1980s? What do their developments have in common, and how are they different?

choose a social media platform that you frequent. Second, you will need to obser

choose a social media platform that you frequent. Second, you will need to observe, analyze,The most important thing you can do for this assignment is describe and analyze in detail the patterns you are finding in your social media feed.
please answer the questions and follow the document.

Task In this assignment, you are asked to examine how ‘single, dispersed actors’

Task
In this assignment, you are asked to examine how ‘single, dispersed actors’ (Mancini 2020) in the digital media space — citizens, journalists, entrepreneurs, social media users, or others — engage in online narrative struggles around a complex global, regional or country-specific problem.
Potential complex problems may include, but are not limited to the following: the future of journalism, gender inequality, fake news and misinformation, racism, digital platform regulation, media trust, inequalities within the Global South, social progress, media leadership, human rights abuses, precarious work, the COVID-19 pandemic, cosmopolitanism, migration, climate change, decolonization, digital access, democracy, ending poverty & hunger, food sovereignty, economic and social development in Africa, or cognitive justice.
Take a moment to think: what problem interests you?
Instructions
1.    This assignment is supported by the Week 8 to Week 12 seminars and you should engage with these learning materials to guide the development of your assignment. The materials include discussion and exemplars of master narratives and counter-narratives in the media, journalism and debates around soft power strategies, the new contours of international media power, digital platforms, cultural cosmopolitanism and leadership in international media.
2.    To develop your response, you are required to choose one particular type of ‘single dispersed actor’ (Mancini 2020), present their specific point of view on the complex problem, and then create a counter-narrative, alternative narrative or defensive master narrative in response.
o    For example, citizens wanting freedom who tweet their opposition to mandatory COVID-19 lockdowns, a point of view which you challenge by creating a new alternative narrative telling the story of front-line health workers.
o    Or digital platform entrepreneurs’ calls for stronger regulation of the internet around harmful content, election integrity, privacy, and data portability, a proposal which you systematically scrutinize and unpack, before creating a counter-narrative based on whistle-blowers’ revelations about companies seeking profit over the safety of their users.
o    Or ‘self-branded’ journalists who dismiss and disparage teenage climate activist Greta Thunberg (e.g. calling her a ‘global warming guru’), a claim that you emotionally disarm with a counter-narrative telling the story of what young people in your country are doing around climate action.
o    Or social media users who find themselves entangled in the constant flow of online anti-refugee and racist interactions, yet believe technology is neutral, a view that you explore and link to the digital platforms self-branding, before creating an alternative narrative around how communication technologies are vulnerable to bias and abuse.
3.    Your assignment should address, but is not restricted to, the following elements:
•   
o    Snapshot of ‘single dispersed actor’ (Mancini 2020)
o    Actor’s framing and point of view on the selected complex problem
o    Actor’s media strategy for engaging online public opinion and/or responses to online public opinion
o    Your framing and point of view on the selected complex problem
o    Your response (e.g. defensive master narrative, counter-narrative or alternative narrative) and rationale for choice of narrative type.
o    Your suggested media strategy for engaging online public opinion on your response.
o    Your assessment of this specific narrative struggle as a means of changing people’s thinking about complex global, regional or country specific problems.

Write a Story Telling on Mo Salah the Egyptian football player,

Write a Story Telling on Mo Salah the Egyptian football player, In story telling you have to focus on a theme or angle.
Focus on the Ballon d’Or theme. so you should start by mentioning Mo salah’s nomination to the ballon d’or.
mention stuff like:
how mo salah got it? how he was nominated among 22 players? and so on..
Type of story: Print
use words and quotes (from mo salahs interviews) and pictures, Get the quotes from the internet (search for them).
After the intro you should  go on details, for example you can focus on records (created outstanding record of his own, goals,  number of matches played, number of rewards etc…)
This should be 900 words