Category: Theater studies

The scene of choice was from Saw 3 the rack trap (https://youtu.be/JcnVBEcbPao?si=aEa5XUMTy8I7-X3- )
I do apologize for the graphical aspect.
Attached will be the guideline and rubric.

This should be an outline not a paper of how to cook a Ribeye steak on the stove. Listing from the purchase the me. The steak has to be medium well. You can use a recipe from on line. It just has to be detailed from beginning to end. Please see attached assignment for full details . This for a public speaking class

Final Project
Use the play The Importance of Being Earnest by Oscar Wilde
1- Give me a brief descriiption of the play. (25 points) Where do you think:
-The exposition of the play is.
-The Inciting Incident of the play is.
-The rising action of the play is.
-The climax of the play is.
-The denoument of the play is.
2 Designer Analysis (25 points)
Choose one of the following jobs in theatre: Director, Lighting Designer, Costume Designer, Scenic Designer.
Read the play as one of these people would. Please, report the following:
What are the major themes and concepts of this play?
After reading it, what images stuck with you?
Do you want your directing or design to be literal or abstract? Why
3-Postcard Production (50points)
Choose one scene out of the play, and present it as a person working in the same job as you selected above would (choosing one of the following):
Director: In this scene where do you see the blocking? Where are actors moving? What props are needed for this scene? Which famous actors would be best for these roles? Create a character GOTE break down for one major character In this scene. (GOTE sheets are available online)
Props-10points
Blocking-20points
GOTE Sheet-10points
Cast the play-10 points
Lighting Designer: What do you see the lights looking like in this scene? How many light cues are needed? For the entire play, define a palate of 5 colors you would use for major scenes and why.
Cue Sheet-20 points
Images or descriiption of looks-10 points
Color palate and descriiption- 20 Points
Costume Designer: How many costumes are needed and what do they look like? Provide a costume break down for the entire play. Provide renderings for at least two characters complete with costume changes for the entire lay
Costume Breakdown-20 Points
Two Renderings- 30 Points.
Scenic Designer: What is needed in this scene? What do you think the overall set looks like? Provide a scenic breakdown and renderings or a model for the entire play including set changes.
Descriiption of scenic needs-10 points
Rendering or model of the play-40 points
Sound Designer: What are the individual sound cues? Provide a sound breakdown for the entire play, and sound cues for one scene. Provide a playlist of 5 songs that you would play before this play to clue the audience in to what the play is about.
Cue Sheet-20 points.
Sound cues foe one scene (files or links)- 20 Points
Preshow list-10 points

Luis Valdez – Teatro Campesino & Las Dos Caras del Patroncito and Zoot Suit:
You will analyze the Theatre artist, Luis Valdez, from the perspective of a drama critic (remember the distinction between drama critic and theatre reviewer). Why should Valdez be considered an important artist – director, playwright, filmmaker?
Write a 300 word (minimum) review of Luis Valdez: Aesthetics of El Teatro Campesino, a live speaking engagement that Valdez gave last year on our campus. Additionally, you will be able to read the script for his acto, Las Dos Caras del Patroncito and Zoot Suit, and research his career. A video may be viewed of the acto as well, available on Canvas. I also want you to view the film Zoot Suit, written and directed by Valdez. It is available for rent on Amazon Prime and possibly You Tube as well.
CONTENT:
Discuss how Luis Valdez uses the art of Theatre and Film for social change and justice.
What makes the acto, LAS DOS CARAS DEL PATRONCITO, of Teatro Campesino, and the film ZOOT SUIT, humorous and entertaining, as well as educational, historical, and political?
In his talk at CSUN, Luis Valdez describes many cultural influences and traditions from the Mayas, Aztecs, and Mexico, that inform his aesthetic ideas in his new book, Theatre of the Sphere. What do you think Valdez means by the “vibrant being”?
How are we part of a “wave principle” in the movement of human history?
How is Luis Valdez hopeful in these violent times that we are living?
———————————
Here is the link to Valdez’s performance on campus.

Here is the link to Las Dos Caras del Patroncito (performance by Luis Valdez)

(The Las Dos Caras del Patroncito script is linked as a file as well)
The film Zoom Suit that is directed by Valdez can be found on YouTube or amazon.

For this assignment, you must critique a LIVE THEATRE performance – you may opt to view a RECORDING of a live production but you may not see a movie adaptation. This live, theatrical performance must be scriipted (no improv) and must have designers. You may not see a high school production. There are a lot of things on YouTube, but many are not professional productions. Please check in with me if you have questions about what an acceptable production is or if you would like to confirm that the production you choose works for this paper.
All papers must:
be typewritten using a standard 12 pt. font (Times New Roman or Arial) or 11pt Calibri
be double spaced
be 3-4 pages
have correct spelling/grammar/sentence mechanics
be in standard essay format (not merely a list with numbered bullet points)
have a citation (including a url if watched online) for the production you watched
over every main area below (use the questions to help you organize your thoughts if necessary)
Reminder: Give clear, specific examples to support your opinions and point of view. When you state an opinion, give supporting details: “for example…” Paint a vivid picture for the reader.
Introduction: Start with something snappy to hook the reader in. Then summarize the play’s story in a short paragraph (this will not be the main point of the paper, I’m far more interested in your critique of the performance not the summary of the play): _____________________ by __________________________ is about______________. Tell something about the history of the play text and the playwright, or about past productions.
Thesis of paper: Summarize your overall impression of production: _________Theatre’s production is/isn’t worth seeing because _______
Critique the cast members as an ensemble: In general, could you see and hear the actors? Did the actors work as a team to tell the story? Were the actors, in general, believable, focused, in character, and engaging? Give examples.
Choose one main actor to critique: Did this actor engage you for the entire play? How? Was the actor focused, in the moment, and emotionally inside the character? Technically, did this actor move and speak well? Seem confident of his/her lines? Vigorously drive the play forward or drag it down? Did the actor make you care about, or be interested in, the character? Give examples.
Critique the spectacle and technical aspects of the production: Describe stage configuration used. How effective was it? Critique the physical set, lights, costumes, sound (music, sound effects, etc.), props, and any special effects. Did all these areas together help or hinder the dramatic action of the characters? Give examples.
Analyze and discuss the historical elements of this play. What era did it take place in? What era was it written in? Was it updated or translated to fit into a different era? If the play is modern, do you see any connections in themes or ideas to another era? Cite all outside sources.
Discuss the theatre’s goal in producing the play. What type of audience did the producers of the play have in mind for this play? Do you feel that you were their ideal audience? How do you think that you match or differ from the company’s perceived audience? Where do you think this production would be the most successful
Conclusion: Restate your thesis in different words: Summarize why this particular production is/isn’t worth seeing. Was it powerful? Moving? Gripping? Stupid and pointless? Long and boring? Educational? Disturbing? Entertaining?

After reading the presentations, (The Importance of Being Earnest by Oscar Wilde) I would like for you to write a short essay.
Choose one of the theatrical eras discussed one of the Theatre History Group Projects.
Put your self in the place of someone going to one of the plays and write a letter to a friend which contains the following information:
What kind of person would you be in this era? What kind of work do you do?
What are you wearing to watch this play?
When you finally take your seat (or standing position) what does the theatre look like?
What do you think the differences were from the person you were pretending to be attending a play in their era and you attending a play in the present time?

After reading the presentations, (The Importance of Being Earnest by Oscar Wilde) I would like for you to write a short essay.
Choose one of the theatrical eras discussed one of the Theatre History Group Projects.
Put your self in the place of someone going to one of the plays and write a letter to a friend which contains the following information:
What kind of person would you be in this era? What kind of work do you do?
What are you wearing to watch this play?
When you finally take your seat (or standing position) what does the theatre look like?
What do you think the differences were from the person you were pretending to be attending a play in their era and you attending a play in the present time?

one document has the overall critique guidelines and the other document has the Indecent information. Thank you.

one document has the overall critique guidelines and the other document has the Indecent information. Thank you.

These essays are comprised of questions on content from across the course.
These essays will be graded in terms of your completeness of expression and/or accuracy in answering the prompts.
1) A New Classical Tragedy?
What events in your life – from the news, history, or elsewhere —might be used as subject matter for writing a new traditional tragedy in the Greek style? Why are these events suitable?

2) A Unique Point of View
Identify and elaborate on the similarities and differences between the five major theater venue types; Proscenium, Thrust, Arena, Black Box, and Found Space. After you have defined the different venue types, develop a short opinion on which type of venue you find most interesting as an audience arrangement, and why.

3) Who is Involved in Production?
Name at least four positions on a theatrical production team not including performers, and describe their responsibilities during at least two different phases of production.
These phases include pre-planning/production meetings, rehearsals, technical rehearsals, and performances.