A/ write Assignment: 1to 2 pages Consider the use of labels to describe, define

A/ write Assignment: 1to 2 pages
Consider the use of labels to describe, define, and categorize an artist or a work of art. These could be labels used in visual arts, such as techniques or styles or movements, or they could be labels used in other art forms, such as music, theatre, dance, and more. What are some labels you can think of off the top of your head that have been used to describe, define, and/or categorize works from these different art forms?
1- Write down a list of labels that come to mind for at least one type of art form that you are familiar with. For instance, these could be genres of music, types of theatrical works, styles of dance, schools or movements of visual art, etc.
Share your list by providing it at the top of your response.
2- Follow your list with one paragraph that explains from your point of view of the value that these labels provide, both for the makers of this art and for the audiences consuming it.
3- Provide a second paragraph that explains from your point of view the drawbacks or negative outcomes that these labels produce, both for the makers of this art and for the audiences consuming it.
4- Provide a brief conclusion (a couple sentences) that summarizes your opinion on whether these types of labels for art works offer more benefits or drawbacks, and why.
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select artwork from lecture video – The Case For Andy Warhol | The Art Assignment | PBS Digital Studios
that utilized an unexpected or unusual material, idea, or technique compared to earlier examples of fine art.
Examples could be a work that employed subjects and styles found in pop culture, a work that utilized materials and/or techniques taken from more industrial or commercial production methods, or perhaps a work that engages with materials, techniques, and ideas pertaining to intimate, domestic, or private spheres of life.
1- Provide a detailed visual analysis of your selected artwork (one paragraph).
In your visual analysis, please describe the lines, colors, shapes, patterns, light, contrast, perspective, scale, etc. in as much detail as possible to give your reader a good idea of the overall visual composition.
2- Ideally, your description of the work will be specific and detailed enough for your readers to be able to picture it clearly in their own mind.
3- Provide an explanation of how the medium and/or ideas involved in the making and presentation of this work helped to convey its intended purpose, use, and/or meanings in the context of the 1960s.
In your explanation, be sure to discuss how the materials and techniques work to accomplish specific visual effects and thematic meanings for its audience. Your explanation should answer the following questions:
4- What is it about the size, placement, style, color, texture, etc. of this specific work that helped it to deliver its intended message(s) and meaning(s) to its viewers at the time and place it was made?
5- Whom do you think would have seen this work and how would they have encountered it?
6- Why do the visual and physical features of this specific type of work and its media seem effective within the time and place of 1960s New York?
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C/ Evan Scoggins Discussion
After you check out all information related to Evan and have watched his recorded interview please
https://cccconfer.zoom.us/rec/play/XoUyiYthHXsenoN…
answer the question prompts below with 3-4sentence for each Question’s 1& 2 responses.
1- What personal qualities and attributes can you identify that assist Evan in his pursuits? How do you feel these factor into Evan’s progress as an artist?
2- How has your awareness and/or understanding of contemporary weaving and textile art changed after hearing from Evan?
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3- Rebly Response below, 2 to 3 sentense
– I think the personal qualities that helped Evan in his pursuits include being resourceful, hardworking, creative, and determined. These qualities helped factor into his success by possibly reflecting on how determined he was to pursue textiles and weaving as a career considering some people wouldn’t take that initiative to learn. For example, his DIY Loomer, really shows how committed he was and going above and beyond, despite not having the professional Loomer he showed in the video. With his commitment and resourceful shows, he was born an artist with these qualities. Secondly, Evan has attributes that include being hands-on, passionate, skilled, and ambitious. These attributes contribute to his success possibly by trying new things, for example, he tried painting, but he realized painting wasn’t for him, so he didn’t give up after trying one thing, and that ambition and passion are needed to be an artist especially financially too. Another attribute I noticed is that he has his priorities straight because he still calculates how much is being put into his art and having a job too. However, being an artist does take time for it to become completely reliable, so these are good qualities for an artist.
After listening to Evan’s interview my opinion on weaving remains the same in the sense that weaving is fascinating and beautiful however I personally wouldn’t consider taking up weaving into my art career. Although, I have a lot more respect for weavers and textile artists because the creative process seems to require a lot of patience. Also, the process of building a reputation with weaving seems extremely difficult. Considering the variety and demand for new works in shows or just in general as products seem stressful, and tricky considering the financial demands with the dye and the wool required. But I personally wouldn’t mind trying to weave something together.