To ensure that we have a variety of ideas to draw upon in class discussion, plea

To ensure that we have a variety of ideas to draw upon in class discussion, please do not answer a question if three of your classmates have already addressed it.
Moonlight is structured into three chapters. What visuals or types of events (for example, Chiron’s encounters with Kevin, images of the beach and ocean) recur in each chapter?
How do Moonlight’s chapters visually differ from each other, especially in terms of cinematography?
What is the significance of the film’s chapter titles?
How does the film use visual and sound techniques to convey Chiron’s subjective point-of-view? What effects might seeing and hearing as Chiron have on the audience?
Throughout Moonlight, Chiron is subject to peer violence when read as gay and thus not sufficiently masculine. His mother critiques his style of walking, and Chiron adopts a “tough” demeanor to counter others’ perception of his “softness.” How does this ideology of “tough” masculinity affect Chiron? What alternative ideologies of masculinity does the film offer?
In an interview with the Independent’s Geoffrey Macnab (Links to an external site.), Barry Jenkins observes that “in most movies . . . a black drug dealer is ‘just a black drug dealer.’ The point about Moonlight is that we see other sides of the character and other parts of his life. ‘For me, drug dealing is something that a man, this man, does. It is not the totality of who he is.’” How does the film’s narrative, visuals, and/or sound convey “the totality” of Juan?
Racquel Gates ends her article on Moonlight and Love & Hip Hop [link removed] with a provocative statement and questions: “The celebration of certain ‘beautiful’ aesthetics can serve to reinforce an established taste politics that has traditionally dictated an aesthetic marginalization and degradation for people of color throughout the history of the medium. What does it mean to celebrate the cinematography in Moonlight for ‘elevating’ the image of the people whose story it tells? Does this not suggest that their stories and their images are inherently undeserving of being represented in cinema without the valorization of high-quality style?” How would you respond to Gates’s questions?
Is there any other topic i havent included in the above? Why is the topic important to our understanding of Moonlight and sexual diversity?